I have spent an uncommonly large proportion of my married life sitting on steps outside of art museums. I, in fact, consider myself quite an expert on museum steps. I think the all time best art museum steps must be those outside The Chicago Art Museum, watching the circus on Michigan Avenue from those steps is hard to beat. Sandy has a much higher tolerance level for the amount of culture that she can absorb in one dose than do I. It is through this inconsistency in our marriage that I have had the opportunity to develop my museum steps expertise. I report today, that the the steps in the atrium of the Rijkesmuseum are on the A-List.
First thing this morning, after another Dutch Pancake, we took tram no. 2 to the Musuemplein, a park surrounded by a number of museums paramount amongst them the Van Gogh (van gah-ch) museum and the Rijksmuseum (rhymes with Bikes-museum). Sandy truly appreciates Vincent Van Gogh's paintings. She understands his emotions and sees them in his brush strokes on canvas. This museum was also eyeopening to me as my understanding of Van Gogh was almost completely formed by the Kirk Douglas film, Lust for Life. I learned that myths that he was a self taught genius whose master works were a result of his insanity are false. His genius was not because of that insanity but in spite of it.
Holland's Golden Age radiates from the Rijksmuseum. Here Rembrandt and Vermeer strut their stuff. The Netherlands was at the peak of its power. Now independent from Spain and with world wide trade flourishing, the Dutch were awash in spendable cash. Artists who were painting for nobility and church hierarchy in other countries had to find different patrons in Holland. And, they found them in the businessmen who founded the Dutch Republic.
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